Wu Shengbao
Third-generation filigree master, working drawn silver wire into open forms at the bench where he first learned the craft.
Craft & artisans
The people behind the practice
This page is about people, learned knowledge and the hand processes behind each collection—not product verification or paperwork.
Maker profiles
Named, not anonymous
Meet three practitioners whose knowledge is carried through family, village and repeated practice.
Yang Xiuying
Draws wax-resist motifs freehand, carrying pattern knowledge through memory, repetition and indigo-vat practice.
Pan Xiumei
Works narrow metallic strips into indigo cloth one fold at a time, preserving Jianhe's distinctive tin-embroidery language.
Four techniques
A range built around living practice
Explore the commercial formats without separating the finished object from the process that gives it meaning.
Silver filigree
Wire drawing, twisting, shaping and hand welding.
Indigo batik
Freehand wax drawing and repeated natural-dye immersion.
Liezhi weaving
Reclaimed cloth transformed into continuous woven weft.
Miao embroidery
Silk-thread and metallic-tin traditions for display and use.